dvd covers artwork
Where can I find cover art for CD/DVD’s. Is there a database somewhere?
I know Gracenote has a CD database for track listings and such. Is there anyplace that has a database for cover art for CD’s and DVD’s? I have some artwork that has been damaged and a lot that I just want a digital copy.
I know iTunes and some other programs can find some cover art, but where are they getting the pictures from?
Any help is greatly appreciated.
Thanks in advance!
http://www.cdcovers.cc
http://www.coverkingdom.com
Both of these are great sites for covers
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Lady Gaga – Fame Monster 22×34 Poster $1.99 New Full Size Poster. High Quality. Suitable for Framing…. |
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The Used – Music Poster (The Guys With Umbrella) (Size: 24 x 36) $3.25 The Used (Group Under Umbrella) Music Poster Print – 24×36… |
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Lady Gaga (The Fame Monster) Music Poster Print – 22×34 $7.80 Lady Gaga (The Fame Monster) Music Poster Print – 22×34… |
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SERIAL LOVER (1998) Imported NTSC for All Regions in ENGLISH ARTWORK COVER SLEEVE $19.95 IMPORTED FROM SOUTH KOREA Language: French Storyline: Claire has a problem. She has had several men in her successful life as a criminal author. Now, she is going to turn 35 (again) and is in search of a husband to abandon single life forever. In the evening before her birthday, she asks her four best relations C… |
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Five Score And Seven Years Ago $7.99 Deluxe limited edition with DVD bonus. Special packaging includes acoustic performance in the historic Capitol Studios, interviews and b-roll footage, exclusive artwork, the video for “Must Have Done Something Right” and the making of…. |
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The Uncanny X-Men #248 : The Cradle Will Fall (1st Jim Lee artwork on X-Men – Marvel Comics) $1.00 … |
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Stoned [Unrated] [Retailer Sensitive Artwork] $7.59 Director/Producer Stephen Woolley’s STONED is a dramatic attempt–researched for 10 years–to accurately portray the controversial events surrounding the death of Rolling Stones founding member and guitarist Brian Jones at age 27, on July 2nd, 1969. To create his work, Woolley synthesized the written memoirs and testimonials of the witnesses who were there. Beginning a few months before Jones’s death, the film focuses on a relationship he forged with Frank Thorogood (Paddy Constantine), a builder hired to fix up the rock star’s home. Alone–save for his girlfriend Anna–and ostracized from his band-mates due to drug problems and legal tangles, Jones draws Thorogood in as a part-time friend and part-time assistant. When Jones is summarily fired from the band–only weeks before his demise–Thorogood is also let go, and becomes jealous and enraged. Deftly placed flashbacks throughout the film catalog Jones’s ascent and–more gratuitously–his drug-filled self-destructive descent. Coupling these with the volatile relationship with Thorogood, the film discreetly shows the complex causes of Jones’s untimely death. To capture the spirit of the times, Woolley fills his soundtrack with 1960s nuggets, including excellent covers of Stones material by modern British acts like A Band of Bees and Little Barrie. He also shoots the flashbacks and recreated concert footage with a hand-held 16mm camera, achieving a real-life documentary feel. In this film, Brian Jones and his unfortunate end (strangely ruled “death by misadventure” at the time) are cast further into the mythical and legendary status they have achieved–and deserved. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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Artwork $18.98 Focus on the artwork, as the Used are telling you via the title of their fourth album. It’s an ugly beast of a picture of a man shoving a syringe labeled “ART” into an arm bearing “WORK” scrawled in blood on it. What it all means is unclear — is art being injected into work, is art the drug — but what is evident is that the Used still take all this emotional bloodletting very, very seriously indeed. Four albums in, they’re also taking the business of being in a band very seriously too, demonstrating a greater command of dynamics and a certain measure of professional panache, something adolescent, an adenoidal rush of their early screamo. This, of course, isn’t quite the same thing as a considerable uptick in songcraft, but hooks never mattered to the Used anyway, so having a higher grade of execution helps underscore the Used’s point. [This Limited Edition includes a bonus DVD.] ~ Stephen Thomas Erlewine, RoviPerformers: Bert McCracken – Handwriting, Piano, Vocals; Quinn Allman – Guitar, Vocals; Jeph Howard – Bass, Vocals; Dan Whitesides – Drums, Vocals |
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Secretary [Repackaged New Artwork] $11.36 The masochist says to the sadist, “Hurt me.” The sadist replies, “No.” Everybody’s happy. This strange balance plays heavily into the Steven Shainberg-directed SECRETARY, based on a short story by Mary Gaitskill. Lee Holloway (Maggie Gyllenhaal) is a troubled young woman with a secret, destructive addiction fueled by her mother’s overprotectiveness and her father’s alcoholism. Sheltered and wholly dependent on other people, Lee’s only form of self-expression is in this private, painful habit. That is, until she meets her new boss, the lawyer E. Edward Gray (James Spader), who hires her as his secretary. It is exciting for Lee to hold down a job, even if she is a basket case in the office. Mr. Gray watches Lee, studies her, and slowly begins to correct both her typing errors and her personality flaws. At first Mr. Gray’s dominance appears scary and overbearing, a true threat to Lee’s naive, fragile psyche. But as the film carefully develops these unique characters, revealing their odd strengths and weaknesses, it becomes delightfully clear that Lee and Mr. Gray can genuinely help each other. SECRETARY is a bright, atmospheric movie that shines a light on the “fun” in this dysfunctional relationship, while using brilliant performances by Gyllenhaal and Spader to illustrate the benefits of sadomasochistic love. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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Permanent Midnight [New Artwork] $11.36 Based on the memoirs of Jerry Stahl, a successful TV writer who was reduced to working at a McDonalds’ drive-thru window by his crippling addiction to heroin. Ben Stiller gives an acclaimed performance as Stahl in this gritty film ripe with darkly comedic moments. Stahl himself has a cameo as a drug counselor. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |
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Saw [Uncut Edition] [New Artwork] $11.36 Be prepared to be scared. James Wan’s directorial debut, written by and starring Leigh Whannell, is a violent, bloody, psychologically exhausting and exhilarating exercise in terror. Adam (Whannell) and Dr. Gordon (Cary Elwes) are chained in a vile, disgusting bathroom, separated by a bloody corpse holding a gun and a tape recorder. They are each given a saw–the only obvious way out is to cut one of their feet off. A serial killer who specializes in torturing morally bereft strangers is playing a game with them: Gordon has less than eight hours to kill Adam or else the doctor’s wife (Monica Potter) and daughter (Mackenzie Vega) will be murdered. As the two men engage in a battle of wits, alternately trying to help each other and secretly attempting to win the game, a series of flashbacks reveals the history of the madman and the pair of detectives (Danny Glover and Ken Leung) handling the case. Some of the torture scenes are excruciatingly horrible and hard to watch, a real treat for fans of the genre. Inspired by the work of David Lynch (BLUE VELVET, TWIN PEAKS) and Dario Argento (SUSPIRIA, INFERNO), Wan has created a scintillating suspense thriller that will have audiences continually shocked, repelled, frightened, and surprised, right up to the very last second (which Whannell has said was influenced by the endings of such films as THE USUAL SUSPECTS and THE SIXTH SENSE). The accompanying heavy metal soundtrack is appropriately scary as well. Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved. |